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Boogie nights

 
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MessagePosté le: Ven Déc 10, 2004 12:49 am    Sujet du message: Boogie nights Répondre en citant

Paul Thomas Anderson (1997)
Interprètes: Burt Reynolds, Julianne Moore...

Voici la liste des scènes en plus et les scènes alternatives que propose la version workprint :

.34

The Workprint adds to the opening credits after New Line Cinema presents:

A Lawrence Gordon production

In Association with Ghoulardi Film Company

A P.T. Anderson Picture

7:42

Small dialogue exchange between Reed, Becky & Buck discussing what to do. Little Bill comes along & they all decide to head home (See deleted scene "Ham and Cheese" on the Boogie Nights DVD)

10:35

Little Bill opens the door to his bedroom

Workprint adds

Wide shot of Little Bill’s wife grinding on the stud.

Little Bill: What the fuck are you doing?

Little Bill’s Wife: What the fuck does it look like I’m doing? I’ve got a cock in my pussy, you idiot!

(This line was probably cut at the request of the MPAA as was the fact that during the whole conversation she is continuing to fuck the stud, in the theatrical version she stops grinding during the conversation).

14:06

This montage is in a different order

Workprint

Rollergirl in school

Buck at the stereo store

Eddie and Cheryl Lynn

Theatrical

Buck at the stereo store

Rollergirl in school

Eddie and Cheryl Lynn

25:23

After Rollergirl says “Don’t fucking come in me” Workprint adds:

Jack (off camera): Aim it towards her face, Eddie.

Rollergirl: Fuck you Jack!

Then to the Jack line “aim it at her tits Eddie."

27:33

Eddie and Mom fight

Eddie: I’m not stupid!

Mom: Yes, you are

Workprint omits the following:

Eddie: Please don’t’ fucking do that! Please don’t be mean to me!

Mom: I’m not being mean to you, you’re just too stupid to see it!

53:26

First Sex Scene

Workprint has a different shot selection (due to MPAA mandated cuts)

Wide angle shot of Dirk laying Amber on the desk and a full view of Dirk’s ass as he is pumping repeatedly into Amber. Their dialogue here is indistinct.

The theatrical version uses a close-up of them and the following dialogue before he lays her on the desk:

Amber: OK, we’re gonna go down now. OK. No, do it again. No, OK.

1:01:41

1st Awards Ceremony

The following lines were added before Dirk comes up to accept his award:

Jessie: I can’t wait to get that big cock inside my mouth, my ass, my pussy or any which way he’ll give it to me. (Probably cut by MPAA request).

1:22:32

New Years Eve

When Little Bill walks into the room, the camera follows him inside and we see Little Bill’s wife leaning over a desk or bed getting it from behind by another young stud. She turns and looks up at him and then turns back around and continues.

1:24:05

The camera follows Little Bill into the room and we see him fire off three shots that hit Little Bill's Wife and the young stud as they collapse onto the floor.

1:26:15

Amber’s Documentary

Brock Landers (Dirk) slaps girl

Workprint adds:

Girl: Do it again, maybe I’ll get my pussy we next time!

[Cut back to Dirk doing interview with Amber]

Dirk: Strength is sexy, you know. My whole thing about being sexy is it has to be masculine, you know?

[Cut to Additional shots of Rollergirl giving him head]

Dirk Voiceover: You can ask any person I’ve ever worked with, any actress I’ve never ever put my hand on her. Unless it’s in a way they wanted me to.

[Cut back to Dirk doing interview with Amber]

Dirk: In that’s just how it is and I think it’s very sexy because it’s between the two characters, you know? And even though I know you’re bad, and you know I’m good, we still get it on.

1:35:50

Dirk trying to get hard in the bathroom

In the Workprint this was one long take of Dirk stroking his thing. Scotty opens up the door (you see this in the mirror) and kinda of takes a long pause and then shuts the door. Dirk looks up and says:

Dirk: What the fuck?!

Then he turns around and opens the door (It’s not clear if he saw that it was Scotty or someone else).

Theatrical version adds dissolves of Dirk stroking and the following lines:

Dirk: Your ready, you were born ready. Come on!

(A little karate pose) and then opens the door and exits the bathroom

1:40:07

Montage

This section has radically different sequencing and added scenes from the theatrical version.

Workprint

Johnny Doe shooting his scene with Jack directing and the Colonel behind him on the couch.

Shot of a house in with the title underneath “Bakersfield, CA”

Jerome: (looks real different know as his head is shaved) Fucking Whore! You’re a fucking whore!

Becky (meekly): Jerome, you’d better stop it.

Jerome: (coming at her with a belt) You like big dicks!

Becky: Stop it!

Jerome: I bet you wish my dick was bigger!

Becky: Don’t you….

[Jerome hits her in the face]

Buck and Jessie at the bank.

Rollergirl and Amber doing coke in the bedroom.

Summer and Skye in the hot tub

Rock Harders (Johnny Doe) footage Johnny can clearly be heard saying:

Rock (Johnny): Lick my balls, bitch!

Todd entering Dirk’s with the coke

Back to the bank.

Back to Rollergirl and Amber

Dirk and Reed trying to get the demo tapes

Back to Rollergirl and Amber

Back to studio (“It’s not an MP, it’s a YP – your problem”)

Back to bank (Buck turned down for loan).

Dirk snorting cocaine

Jack walking through the warehouse.

Added shots of Jack opening the door to receptionist area where two cops are waiting:

Jack: Hello there.

Cops: You Jack Horner.

Jack: Yeah.

Cops: There was an accident the other day.

Cut to Reed walking in to and Dirk lying on the couch.

Reed: Oh fuck Dirk! Remember that kid, Johnny Doe?

Dirk: No.

Reed: The kid from Jack…….

Dirk: What about him?

Reed: (kind of grinning) He died. He got in a car accident a couple of days ago and he died. He like went through the windshield or something. Fucking shit.

Dirk: Are you serious?

Reed: Yeah, he’s dead, can you believe it?

Dirk: Tough luck. Going through the windshield, that’s gotta hurt.

[Phone Rings]

[Fleetwood Mac’s Tusk starts playing the background]

Cut to Becky crouched in the corner of the kitchen holding phone (visibly beat up)

Becky: Dirk, I need you to come and get me. I need you to come and see me Dirk.

[Jerome pounding on the door]

Jerome: Open the fucking door! I’m giving you one more chance!

Dirk: Calm down and tell me where you are.

Becky: Me..Meet me at the Denny's in Bakersfield.

Dirk: OK, I’ll be there right now, just calm down and wait for me. I’m coming right now, right now.

Becky: Please don't do anything to me, Jerome. Please. Please. I ask.

Jerome: Think your Miss Fuckin Movie Star with a dick in your mouth? Huh? You're gonna tell me - tell it me or I'm gonna break your fuckin' jaw.

Becky: I don't know what you want me -

Jerome: I want you to tell me that you liked getting fucked by those men in those movies. I want you to tell me that you loved getting shit in your face - You fucking say it, cunt.

Becky: I liked it...........

Jerome: Do you like big dicks?

Becky: I don't know what you want me to..

Jerome: Say it.

Becky: Yes, I like big dicks.

Cut to Jerome punching Becky in the face.

Dirk: (to Reed) I gotta go kick some ass!

Reed: whose ass?

Dirk: Don’t worry about it.

Reed: Becky? Like our Becky? I want know.

Cut to Becky as Jerome walks away

Becky grabs a frying pan and hits him over the head repeatedly and then runs out of the house and down the streets as the camera pulls back and up (crane shot).

Cut to Dirk driving down the street, snorting coke, fixing his hair in the mirror as he loses control of the steering wheel and crashes the Corvette into a telephone pole.

Cut to Becky sitting at the diner drinking coffee and waiting for Dirk.

[Judge (Veronica Hart) voiceover]: Do you have a lawyer with you?

Amber: No, I don’t

Theatrical version

Dirk and Reed in the studio

Johnny Doe shooting his scene with Jack directing and the Colonel behind him on the couch.

Rollergirl and Amber doing coke in the bedroom.

Buck and Jessie at the bank.

Summer and Skye in the hot tub.

Rock Harders (Johnny Doe) footage. Johnny says:

Rock (Johnny): Yes, Bitch!

Todd entering Dirk’s with the coke.

Back to bank

Back to Rollergirl and Amber

Dirk and Reed trying to get the demo tapes

Back to Rollergirl and Amber

Back to studio (“It’s not an MP, it’s a YP – your problem”)

Back to bank (Buck turned down for loan).

Jack walking through the warehouse.

Dissolve to Amber in Court

Theatrical Version adds:

Judge: You must be Maggie, I’m Kathleen O’Malley, the judge.

Long shot holding on Amber.

2:20:51

Final Montage

Workprint adds:

Cut to Becky working in a retirement home serving food to some elderly patients.

http://www.ptanderson.com/featurefilms/boogienights/workprint.htm
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MessagePosté le: Ven Déc 10, 2004 12:49 am    Sujet du message: Publicité

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